Tartaria is my favorite iteration of the Lost Civilization ideoplex because of the truth it reveals: Modernity is so ugly that people refuse to believe that the large, beautiful, ornate buildings we used to routinely construct only 100 years ago must have been made by superhuman giants.
We couldn't have done it. We did not have the knowledge or the tools. I highly recommend watching the series My Lunch Break on YouTube from the beginning. The patterns of lies that he uncovers are undeniable. We don't know what really happened. But we have proved beyond a shadow of a doubt that the story we were sold is absolute garbage.
On reusing random bricks. So relatable from a builders point of view. Totally normal.
When we took down the red brick chimney out of the old house on the farm, I saved the bricks. They had been made in Medicine Hat, Alberta, Canada in the late 1800s from clay that was baked in a large kiln.
Later, I took apart a pottery kiln at Red Deer college, we salvaged all of the bricks and took them home to make my mom a small wood-fired kiln.
Eventually, we took that kiln apart, so I have 3 pallets of mixed beige and red bricks.
Last year, I made a pizza oven which has some red bricks, some beige fire bricks. Everyone saves the bricks for reuse!
I wonder what the story of the bricks in these pictures is?
I have been re-reading Ken Follett's book, Pullars of the Earth, about the building of a cathedral in 12th century England. At one point a church has had a fire in its roof, so it has to be taken down and rebuilt, and the builder saves the stones carefully, so they can be reused – but not in the building structure, he says, they can only be used for foundation when they are not new. I am re-reading this book partly to be reminded how it describes the building of a magnificent cathedral with nothing but hand tools. I don't know how much historical research he did, but I wanted to see how he spun out the narrative of this kind of construction in that era. I haven't gotten to the building of the cathedral yet to see if it makes any sense, or if I will see huge holes in that story with the eyes I have now for these buildings.
Sometimes I feel such rage I want to scream when I see these old buildings that have been demolished to keep us from the knowledge that they embodied. Our whole picture of reality--that this realm is a place of misery and suffering, so much cruelty, and the belief in our own depravity – has been shaped by this history having been stolen from us.
Agreed. Trying to piece it together according to any reasonable timeline is extremely aggravating too. I think the bulk of what we need to know, for now, comes in the form of reverse engineering and reestablishing the use of the antiquitech we lost. Maybe the innovations we make by applying it can help us piece together the rest of the puzzle. False science is what is harming us the most in the present because it drives all of the false scarcity models keeping everyone living in an unnecessary fear state, willing to give up freedom to feel safe from threats that don't really exist.
I'll just say this. When there is a narrative, there is usually nonsense.
Consider, there are all these old structures that people today don't truly understand. It's not that the construction is not "understood" it's that we can't really do these things today, even with modern technology.
When asked how this might have been done, the answer is always, "A bunch of slaves." Really? A bunch "forced laborers," just happened to create some of the world's most complex and ornate structures?
And the methods as to how these building were built is largely lost? Why? Why wouldn't it be passed down? A lot of these structures are in places where people still live today, how is it that nobody seems to know much about them, or how they were constructed?
Why is so much in the not too distant past a mystery?
I have been going down the Tartaria rabbit hole ever since you introduced me to "My Lunch Break". That stuff is fascinating and addictive. A whole new perspective on history opens up. I have always been interested in architecture and specifically old world gothic architecture, it always struck me as odd that they were capable of building such amazing things so long ago and now we just keep crapping out Brutalist boxes. My theory was that it was simply a plot to dampen and oppress the human spirit, but now that I've seen Tartaria and the old world with new eyes, I'm like "That makes more sense". Perhaps it is a combination of the two?
It's definitely demoralizing to be without the beautiful structures. But we wouldn't know how to build them if we tried. So yeah, both... but so much more than that.
The standard theory regarding history, knowledge and almost everything is an evolutionary linear progression. Aether is mostly dismissed in this theory of everything.
However, if we really give ourselves an opportunity to view Aether as an interpenetrating ever present background energetic, then I think one would have to admit that an understanding, perception even of Aether was a strong factor in Pre-Christian European thought. So, the modern era, devoid of Aether, is a direct result of the activities of christianity in Europe. Christianity drove the Aetheric understanding underground. Its a mind set thing.
This idea of Aether as a primitive holdover is what helped to marginalize the reputation of Tesla amongst his contemporaries.
So, its pretty much been up to alternative medicine and occultists to keep the concept of Aether alive ever since.
Thanks for sharing! Where are the first 2 black and white photos from?
I visited Paris when I was 7 - the art and architecture blew my mind. I had no idea such beauty and mastery were possible. Definitely left me wondering about how we got to our modern sense of aesthetics.
I can't seem to find anything on the internet that explains the melted brick phenomena, or why it happened or what's going on. Do you have links or articles you could recommend? I looked up "James Cooper X factor event" with all the wording combinations I could think of, and the only things that come up are videos that obviously have nothing to do with this. I would love to understand what all of these pictures mean.
Go to the main part of my site and search for melted bricks and meltology. I have a lot of videos on this in the What I'm Watching section. If you'd rather just go there, go to the Table of Contents and you will find it there! :)
I didn't notice the fingers, but I had the same thought looking at that picture. How hard would it be to describe a scene, an interior, even minimally, and instruct the AI to make it look like a sepia photograph from the 1800s?
It's great to even *sort of* know what happened. We can say without a doubt that there are massive lies concerning our history. I don't know if we'll ever discover our real history. But I like that people are thinking about it. I like that some of us know now. And I think it offers valuable perspective: If we have been lied to from the start, we are likely still being lied to, and about many, many other things.
The old world had to have been absolutely magnificent! ✨✨✨
Tartaria is my favorite iteration of the Lost Civilization ideoplex because of the truth it reveals: Modernity is so ugly that people refuse to believe that the large, beautiful, ornate buildings we used to routinely construct only 100 years ago must have been made by superhuman giants.
We couldn't have done it. We did not have the knowledge or the tools. I highly recommend watching the series My Lunch Break on YouTube from the beginning. The patterns of lies that he uncovers are undeniable. We don't know what really happened. But we have proved beyond a shadow of a doubt that the story we were sold is absolute garbage.
On reusing random bricks. So relatable from a builders point of view. Totally normal.
When we took down the red brick chimney out of the old house on the farm, I saved the bricks. They had been made in Medicine Hat, Alberta, Canada in the late 1800s from clay that was baked in a large kiln.
Later, I took apart a pottery kiln at Red Deer college, we salvaged all of the bricks and took them home to make my mom a small wood-fired kiln.
Eventually, we took that kiln apart, so I have 3 pallets of mixed beige and red bricks.
Last year, I made a pizza oven which has some red bricks, some beige fire bricks. Everyone saves the bricks for reuse!
I wonder what the story of the bricks in these pictures is?
I have been re-reading Ken Follett's book, Pullars of the Earth, about the building of a cathedral in 12th century England. At one point a church has had a fire in its roof, so it has to be taken down and rebuilt, and the builder saves the stones carefully, so they can be reused – but not in the building structure, he says, they can only be used for foundation when they are not new. I am re-reading this book partly to be reminded how it describes the building of a magnificent cathedral with nothing but hand tools. I don't know how much historical research he did, but I wanted to see how he spun out the narrative of this kind of construction in that era. I haven't gotten to the building of the cathedral yet to see if it makes any sense, or if I will see huge holes in that story with the eyes I have now for these buildings.
We don't build much with stone here in Canada. All of this is fascinating.
Sometimes I feel such rage I want to scream when I see these old buildings that have been demolished to keep us from the knowledge that they embodied. Our whole picture of reality--that this realm is a place of misery and suffering, so much cruelty, and the belief in our own depravity – has been shaped by this history having been stolen from us.
Same. It breaks my heart.
Mind expanding photos, makes one wonder.
Regardless of the real truth about our history, one thing is certain - it ain't what we've been told, so it's safe to unlearn that first.
Agreed. Trying to piece it together according to any reasonable timeline is extremely aggravating too. I think the bulk of what we need to know, for now, comes in the form of reverse engineering and reestablishing the use of the antiquitech we lost. Maybe the innovations we make by applying it can help us piece together the rest of the puzzle. False science is what is harming us the most in the present because it drives all of the false scarcity models keeping everyone living in an unnecessary fear state, willing to give up freedom to feel safe from threats that don't really exist.
I'll just say this. When there is a narrative, there is usually nonsense.
Consider, there are all these old structures that people today don't truly understand. It's not that the construction is not "understood" it's that we can't really do these things today, even with modern technology.
When asked how this might have been done, the answer is always, "A bunch of slaves." Really? A bunch "forced laborers," just happened to create some of the world's most complex and ornate structures?
And the methods as to how these building were built is largely lost? Why? Why wouldn't it be passed down? A lot of these structures are in places where people still live today, how is it that nobody seems to know much about them, or how they were constructed?
Why is so much in the not too distant past a mystery?
Something is being hidden. That's for sure.
I have been going down the Tartaria rabbit hole ever since you introduced me to "My Lunch Break". That stuff is fascinating and addictive. A whole new perspective on history opens up. I have always been interested in architecture and specifically old world gothic architecture, it always struck me as odd that they were capable of building such amazing things so long ago and now we just keep crapping out Brutalist boxes. My theory was that it was simply a plot to dampen and oppress the human spirit, but now that I've seen Tartaria and the old world with new eyes, I'm like "That makes more sense". Perhaps it is a combination of the two?
It's definitely demoralizing to be without the beautiful structures. But we wouldn't know how to build them if we tried. So yeah, both... but so much more than that.
In a good way, scrolling through, I was transformed back to a Social Studies, History or Geography classroom from grammar school.
🥰 📼 Best info transfer all day. 🖖🏻
OOF
Thank u substack for bringing me this
The standard theory regarding history, knowledge and almost everything is an evolutionary linear progression. Aether is mostly dismissed in this theory of everything.
However, if we really give ourselves an opportunity to view Aether as an interpenetrating ever present background energetic, then I think one would have to admit that an understanding, perception even of Aether was a strong factor in Pre-Christian European thought. So, the modern era, devoid of Aether, is a direct result of the activities of christianity in Europe. Christianity drove the Aetheric understanding underground. Its a mind set thing.
This idea of Aether as a primitive holdover is what helped to marginalize the reputation of Tesla amongst his contemporaries.
So, its pretty much been up to alternative medicine and occultists to keep the concept of Aether alive ever since.
Thanks for sharing! Where are the first 2 black and white photos from?
I visited Paris when I was 7 - the art and architecture blew my mind. I had no idea such beauty and mastery were possible. Definitely left me wondering about how we got to our modern sense of aesthetics.
During the World's Fair in Paris.
I can't seem to find anything on the internet that explains the melted brick phenomena, or why it happened or what's going on. Do you have links or articles you could recommend? I looked up "James Cooper X factor event" with all the wording combinations I could think of, and the only things that come up are videos that obviously have nothing to do with this. I would love to understand what all of these pictures mean.
Go to the main part of my site and search for melted bricks and meltology. I have a lot of videos on this in the What I'm Watching section. If you'd rather just go there, go to the Table of Contents and you will find it there! :)
I LITERALLY just wrote an article on the Aether: https://unorthodoxy.substack.com/p/the-magic-of-albert-einstein
Wow ! Check that out! If that isn’t synchronistic, I don’t know what is!
I'm seeing signs of AI generated photos. The ladies sitting for a meal, the one to the left appears to have 6 fingers on her hand.
I didn't notice the fingers, but I had the same thought looking at that picture. How hard would it be to describe a scene, an interior, even minimally, and instruct the AI to make it look like a sepia photograph from the 1800s?
Not hard, but how hard is it to say that real evidence is a "deep fake?" Cuts both ways. :)
That's what is so confounding about trying to sift out what might be true from what certainly isn't true.
It's all going to be an infuriating mix of both moving forward. We'll have to figure it out.
It's actually exciting and invigorating, when it's not utterly infuriating!
It's great to even *sort of* know what happened. We can say without a doubt that there are massive lies concerning our history. I don't know if we'll ever discover our real history. But I like that people are thinking about it. I like that some of us know now. And I think it offers valuable perspective: If we have been lied to from the start, we are likely still being lied to, and about many, many other things.
Was ether removed from Einstein’s equations? Great memes! I especially like the comparisons between years. An all telling story.